‘WWE Unreal’ Netflix docuseries debuting this summer

The WWE’s answer to Netflix’s Drive to Survive is now a reality in more ways than one.

Announced during Sunday’s WrestleMania 41, a docuseries called WWE Unreal will debut this summer and will focus on all things backstage including a look inside the writer’s room, according to Michael Cole.

Ever since last year’s announcement of the multi-year deal between WWE and Netflix, the creation of a docuseries akin to Drive to Survive that launched the Formula 1 racing series to new heights was publicly discussed. The series just finished its seventh season.

Netflix also has a golf-focused docuseries called Full Swing entering its fourth season, and The Clubhouse, a new Major League Baseball docuseries focused on the 2024 Boston Red Sox season.

No details about the series were revealed. By comparison, The Clubhouse was eight episodes, Full Swing was either seven or eight per season, and Drive to Survive has ten episodes per season.

WWE announces debut date for Netflix in India

It’s a new era for WWE fans in India.

Episodes of Raw, SmackDown, NXT, and WWE Premium Live Events will become available on Netflix in the country beginning April 1. Paul “Triple H” Levesque announced the news in a video on Saturday, welcoming Indian fans to the Netflix era

“Namaste, India. This is the King of Kings, the Game, Triple H. Are you ready? Starting on April 1, WWE has a brand-new home in India. This means Raw, SmackDown, NXT, every premium live event from the Royal Rumble to SummerSlam and all of it leads to the grandest stage of them all, WrestleMania. So, India, I’ll ask you one more time, are you ready? Because this is the beginning of the Netflix era.”

WWE programming had aired on the Sony Sports Network (formerly TEN Sports) in the country since 2002. As part of the deal with Sony, two Superstar Spectacle events were produced exclusively for India. The first was filmed at the WWE Thunderdome in 2021 and the second took place in 2023 at the G. M. C. Balayogi Indoor Stadium.

WWE’s contract with Sony is one of several international media rights deals affected by the $5 billion Netflix agreement, which was announced in January 2024. As WWE moves its content to Netflix, it has opened the door for other promotions to sign deals with networks that previously aired WWE programming—such as AEW landing a deal with Fox Sports Mexico, WWE’s former home in the country, and TNA partnering with Sportsnet, which previously broadcast WWE in Canada.

Viewership for episode five of WWE Raw on Netflix

For the first time since its premiere on Netflix, WWE Raw has shown a week-over-week increase in viewership.

Netflix lists that the February 3 episode of Raw generated 3.1 million views globally in its first week (February 3-9). The show was Raw’s Royal Rumble fallout episode, taking place two nights after the PLE.

After ranking ninth the previous week, Raw was back up to seventh in Netflix’s weekly top 10 rankings for English-language TV shows. It ranked as a top 10 program in seven countries: Bolivia, Canada, Ecuador, Mexico, Nicaragua, the United States, and the United Kingdom.

The viewership number is up from the 2.9 million views the January 27 episode of Raw did in its first week.

  • January 6 — 5.9 million views (17.7 million hours viewed)
  • January 13 — 3.7 million views (8.2 million hours viewed)
  • January 20 — 3.0 million views (6.6 million hours viewed)
  • January 27 — 2.9 million views (6.6 million hours viewed)
  • February 3 — 3.1 million views (6.1 million hours viewed)

For Netflix’s methodology, views are defined as the total hours viewed for the program divided by the total runtime.

The Night Agent season two, The Recruit season two, American Manhunt: OJ Simpson, Sweet Magnolias season four, Apple Cider Vinegar, and The Recruit season one were the shows that ranked above Raw in the English-language TV category this week.

WOL: Unpacking Janel Grant’s amended lawsuit against Vince McMahon

On today’s Wrestling Observer Live, I cover all the new allegations in the amended Janel Grant lawsuit against Vince McMahon.

Not unlike last year, attorneys for Grant released the updated lawsuit against McMahon and WWE during Royal Rumble weekend. The amended suit has more pages than the first and contains new claims that McMahon forced Grant to send “customized pornographic content” to Michael Hayes and others, that he received nude pics during the filming of the Mr. McMahon series on Netflix, and released more texts related to allegations of sex trafficking.

We’ll talk about it all today.

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WWE 2K mobile game to be released by Netflix Games

WWE and Netflix are partnering together to release a new mobile game later this year.

It was revealed today that a mobile edition of WWE 2K is in the works and will be available to play in fall 2025. The game is being released under the Netflix Games banner.

Netflix produced a video with CM Punk announcing the news:

“Ladies and gentlemen, get ready for the ultimate smackdown from the comfort of your own — phone. WWE 2K is coming to mobile in late 2025 exclusively on Netflix Games,” Punk said. “This isn’t just another mobile game, this is your chance to live the most extreme, the most intense, the most dominant WWE experience right in the palm of your hands. So charge up your phone, prepare to become the champion of Netflix Games with WWE 2K on mobile.”

The only other time a mobile edition of WWE 2K was produced was in 2015. Mobile games from Netflix Games are included with your Netflix subscription, and Netflix touts that they do not include ads, extra fees, or in-app purchases.

WWE and Netflix’s partnership officially began at the start of 2025 with Raw now airing on the streaming service every week.

Roman Reigns was unveiled as the cover star for WWE 2K25 earlier this week. The game has a March 14 release date on Playstation, Xbox, and Steam.

Netflix CEO ‘super thrilled’ with WWE’s strong start on streaming service

Despite not debuting on the platform until 2025, WWE was a major topic of discussion on Tuesday’s Netflix 2024 fourth-quarter earnings call

Netflix Co-CEO, President & Director Ted Sarandos said that WWE is off to a great start on the streaming service. He also noted that Netflix hopes to grow WWE’s reach outside the United States by exposing it to new markets. 

Sarandos said:

“WWE is off to a great start. Our first week, we drew about 5 million views, which is about two times the audience that Monday Night Raw was getting on linear television, pretty consistent with how we modeled it, how we’d hoped to build the audience for the league.”

Sarandos says next-day numbers for WWE have been growing viewership by 25 percent, mainly from international markets. 

“We also saw that the non live viewing, so in the day after the live event, our viewing grew by 25%, mostly outside of the US time zones. So this is a new viewing in the UK and Canada, Mexico, Australia, Brazil, particularly big markets. So we’re really thrilled to see how that’s going so far.”

“In the US, our viewing of Monday Night Raw was as big as the Monday Night Raw viewing has been in 5 years. So we’re super thrilled about how that’s going and how that’s coming out. Again, just not to be overly repetitive, but we are not we’re going to be mindful of the bottom line and it’s really important that those economics do work and that the big league sports, full league, full season economics are very hard to make work. And so for us, we want to be able to bring value to the sport like we have to date with WWE certainly, but have we like we have with the NFL too, where we were basically able to bring a big audience, a young audience, a more global audience than linear television, but that has to be reflected in the deal as well.”

Also, during the call, Sarandos noted that the media traditionally hasn’t paid much attention to WWE, but that is changing now that it is on Netflix. He pointed to this as an example of Netflix’s “X Factor.” 

Sarandos later added:

“All these years that WWE has been on television, very successful. Good example about the kind of X factor that is Netflix, we did a press day to kind of introduce the press to the sport because the press didn’t pay much attention to it — to the sport until it got to Netflix. So they basically — we had a huge attendance of reporters from all over the world who were learning what this game, what this is about. So to me, I think that’s the first step of the X factor that is Netflix for that sport, and people will see that applied.”

Sarandos compared Netflix’s strategy with the company’s strategy for Formula 1, stating that while the plan was to grow F1’s popularity inside the United States, the plan with WWE is to expand its reach outside the United States. 

“What excited us about WWE at the beginning, it’s the inverse of Formula 1, which is it was very well distributed in the U.S. and very little known outside of the U.S., where when we got into before Drive to Survive, Formula 1 was barely watched in the U.S. And now obviously, it’s incredible live events and ratings have gone up many folds. So I feel like we have the ability to do that with WWE. We give a bigger audience for it in the U.S. and blow it up outside of the U.S.”

“We also like it because for a sport, it also has a 40-person writer room. So it’s much closer to our core wheelhouse of creating and storytelling.”

Transcripts from yesterday’s earnings call are available here.

Daily Update: Netflix price increase, Penta, Saraya

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This Week’s Wrestling Observer Newsletter

  • January 20, 2025 Observer Newsletter: ’24 business year in review, Vince McMahon, WWE & AEW notes
  • The biggest attended shows in combat sports of 2024
  • Who drew the most big crowds of the year
  • What companies drew the biggest crowds
  • Amazing UFC PPV gates
  • The biggest pro wrestling drawing card by the year from 1916 to 2024
  • The biggest enduring drawing cards of all-time and where the modern stars rank with the historical stars
  • Updating all the Vince McMahon legal issues, from the SEC findings, the criminal investigation an the lawsuits, plus several things that have happened regarding the Grant chase this past week and who are with Vince for his start of a new company
  • WWE and NBC book Saturday Night’s Main Event head-to-head with All In Texas
  • The history of this tactic, and an estimate of how much revenue it would cost AEW
  • WWE on Netflix, what episode one did for business, trying to figure out what the numbers mean, time of show and more
  • WWE & TNA make deal
  • New Japan Battle in the Valley coverage
  • The arenas in the U.S. that have held pro wrestling for the longest amount of time
  • Bret Hart talks his favorite wrestler and the life of Sweet Daddy Siki
  • What is up with Corey Graves
  • Death of Ray Richard
  • The most detailed look at the TV ratings over the past week and key takes
  • Blue Panther vs. Hechicero
  • Athena tours Stardom
  • New Japan big shows coming up
  • Thoughts on the death of Bob Uecker
  • VOW best wrestlers of 2024
  • More on the AEW show in Brisbane, Australia
  • Lots more on AEW ratings declines and where
  • Darby Allin update
  • Ticket sales for upcoming WWE & AEw shows
  • International TV ratings and streaming numbers
  • Conor McGregro sued again in a sex case
  • PFL drops the Bellator name, releases Bellator’s biggest star and cuts tournament prize money in half
  • Lots of new stuff from GFL
  • WWE sets more business records
  • Notes on the next Saturday Night’s Main Event
  • Paul Heyman talks booking

This Week’s Wrestling Observer Newsletter Back Issue

Tuesday Update

WWE

AEW/Other Wrestling

Viewership for episode two of WWE Raw on Netflix

For the second straight week, WWE Raw ranked fourth in its category on Netflix’s viewership chart.

Netflix lists that the January 13 episode of Raw — the second episode since Raw moved to the streaming service — generated 3,700,000 views globally from January 13-19. That was good for fourth among English-language TV shows. Raw trailed American Primeval (14,300,000 views), XO, Kitty season two (14,200,000), and Missing You (5,600,000) in that category.

This is down from the 5,900,000 views that Raw’s Netflix premiere generated in its first week.

In Netflix’s methodology, views are defined as the total hours viewed for the program divided by the total runtime. The January 13 Raw is listed as having 8,200,000 hours viewed. Raw’s Netflix premiere — which was a full three-hour episode — had 17,700,000 hours viewed in the first week.

This week, Squid Game season two was the top-ranked TV show in the non-English language category with 13,200,000 views and 94,800,000 hours viewed.

Week three of Raw on Netflix took place last night. We’ll get viewership information for that episode when Netflix publishes its weekly chart next Tuesday.

Update on viewership for WWE Raw’s Netflix premiere

Some new viewership information is now available regarding WWE Raw’s Netflix premiere episode.

Per data published by Netflix, the episode was viewed 5,900,000 times globally from January 6-12, which means an additional one million views were added after the initial two-day viewership number that WWE and Netflix touted. The three-hour episode generated a total of 17,700,000 hours viewed.

Netflix defines views as “total view hours for the program divided by the runtime.”

Raw ranked fourth among English-language TV shows on Netflix for the week, trailing “Missing You,” (15,200,000 views), “American Primeval” (10,400,000 views), and the docuseries “Jerry Springer: Fights, Camera, Action” (7,700,000 views).

Season two of “Squid Game” — which is ranked as a non-English language show — was the top TV program on Netflix with 26,300,000 views. “The Breakthrough” also had 10,600,000 views and “Squid Game” season one had 8,700,000 views in the non-English language category.

The Raw premiere ranked as a top 10 show in 26 different countries.

In their press release last week, WWE and Netflix stated that — in the United States — the premiere averaged 2.6 million households in live and same-day viewing.

Viewership data for Raw’s second episode on Netflix — which took place from San Jose, California last night — is not available yet.

Wrestling Observer Live: WWE Raw’s new home, AEW Collision & NJPW Battle in the Valley recaps

With WWE Raw debuting on Netflix this past Monday, I take a look at the presentation and my overall thoughts on the initial show.

I also break down this past Friday’s WWE SmackDown which was mostly a placeholder show that featured the ongoing progression of the Bloodline story and Kevin Owens’ obsession with Cody Rhodes.

I also talk about Saturday’s AEW Collision and praise Big Bill after his match with Cope.

Plus, I talk about NJPW Battle in the Valley, NXT title changes, previews for this week’s shows, and more!

Click here to listen (sub needed) or watch on YouTube starting at 6:05 PM EST

Wrestling Observer Live: WWE SmackDown, NJPW Battle in the Valley preview, Raw is SYNERGY

It’s time for a Saturday edition of Wrestling Observer Live.

We’ll talk Friday’s WWE SmackDown and ask if WWE Women’s Champion Tiffany Stratton is a heel that fans cheer or a “mean girl” babyface? Also, the talented Los Garzas finally won a match.

I will also preview tonight’s NJPW Battle in the Valley show.

The biggest star on WWE Raw Monday was Netflix. We’ll talk about “RAW Is SYNERGY!,” Vince McMahon being vague, and a title change in NOAH.

It’s another packed show so check it out.

Click Here to Listen (sub needed)

Alexa Bliss voicing character in Netflix’s ‘Sakamoto Days’

WWE star Alexa Bliss is continuing to pick up voice acting roles.

After being part of the English voice cast for Netflix’s “Queen of Villains” series, Bliss now has a role in “Sakamoto Days.” The show — which is based on a popular manga series — premieres on Netflix tomorrow (January 11) with new episodes to follow every Saturday. The show is airing on TV Tokyo in Japan and has been licensed by Netflix globally.

Bliss voices the character Obiguro in the English dub. She is billed under her real name Lexi Cabrera.

“Such an honor to voice ‘Obiguro’ in SAKAMOTO DAYS!,” she wrote. “Can’t wait for this!!!”

The trailer and synopsis for the series can be seen below:

Once the greatest hitman of all, Taro Sakamoto retired in the name of love. But when his past catches up, he must fight to protect his beloved family.

Bliss has been away from WWE programming for nearly two years and has not wrestled since giving birth to her daughter Hendrix — but that is expected to change soon. She’s been training for her return, with WrestleVotes reporting this week that WWE creative is working Bliss into future plans and merchandise/promotional materials are already in development.