The Name Game: Making sense of IP and the pro wrestling business

Written by Steve Te Tai for F4WOnline.com

Recent years have seen the subject of IP as a hot topic again with several situations involving wrestlers moving through different promotions including Cody Rhodes, Hornswoggle, Ryback, El Cuervo, and the Bullet Club among others, and of course “Broken” Matt Hardy & Brother Nero. In the majority of these situations, names are changed which means we get Cody, Swoggle, the Big Guy, Phantasma Jr, the Club, and the old Hardy Boyz instead of the more updated version. 

Fans have become largely accustomed to this process ever since Vince McMahon and WWE standardized this concept. Occasionally, situations arise that puzzle or frustrate the fans such as when Rhodes found himself unable to use his famous wrestling last name despite his father being the legendary Dusty Rhodes and his brother Dustin wrestling for decades as members of the Rhodes family.

Unfortunately for Cody, his first official wrestling match was for OVW, the then-territorial system for the WWF/E, which made the name “Cody Rhodes” the IP of WWE.

To see how this started, you have to go back to the 1980s where McMahon normalized the practice of a wrestling promotion creating new names for their wrestlers. For decades prior, wrestlers created their own personas and nicknames and and like any actor or athlete, your name went with you. But as the 80s progressed, wrestlers joining the WWF saw their names change more and more.

When Curt Hennig was brought in, he became Mr. Perfect, the Dingo Warrior became the Ultimate Warrior, the Sheepherders became the Bushwhackers, Big Bubba Rogers became the Big Boss Man, and so on. 

As the decade ended, it was almost a given that if you joined WWF, you would be given a new name. But what this change really meant for the industry wouldn’t be understood until years later when the Ultimate Warrior left and found he was no longer the Ultimate Warrior.

McMahon started this practice for two main reasons. The first was to distinguish the WWF as a world separate and different from the rest of the wrestling community. The second was by creating new names for these wrestlers, the names were legally the intellectual property of the WWF, which gave them exclusive rights to license and merchandise their character.

The name “The Ultimate Warrior” was the IP of the WWF because ultimately usage comes down to when it was done first, and with that legal reality, the Ultimate Warrior re-named himself Warrior in his WCW run. His look and “Warrior” name were established prior to his WWF run, so he had all rights to that sans the “Ultimate” part.

The wrestling world began to understand the new reality that with any talent movement between these major wrestling promotions, a name created and debuted in one organization was the intellectual property of that organization and would not go with them if they left.

The difference with real names

If it’s your real name, you own it which is what makes the sports world a lot simpler. Kevin Durant didn’t have to change his name when he joined Golden State and Chael Sonnen didn’t become Chael P. when he signed with Bellator. Kevin Nash, Scott Hall, Jeff Jarrett, Jerry Lawler, Bobby Roode, and many more wrestled under their real names, so name ownership was never an issue with them.

What about CM Punk, AJ Styles, Samoa Joe, and Sting? 

They used those names from the starts of their careers prior to joining a major wrestling promotion. As long as you use the name once prior to joining a “publishing house” like New Japan, WWF or GFW, the name belongs to you. If you keep that name depends on the deal they make with their new home. Sometimes you get to stay as Shinsuke Nakamura while other times, you end up as Hideo Itami. 

If New Japan owns the Bullet Club, how did they keep that name in GFW and ROH?  

The Bullet Club was born in NJPW and therefore, NJPW owns and controls the rights to that name. Like GFW, New Japan has had working partnerships with multiple promotions over the years and woud allow these partners to use their IP. That’s why Big Van Vader competed in WCW but when New Japan’s partnership with WCW ended, he simply became Vader.

Because of this partnership, when Karl Anderson and Doc Gallows wrestled for GFW and ROH, they were the Bullet Club. But since there was no such deal with the WWE, Doc and Karl hooked up with AJ Styles as simply The Club. 

But didn’t Finn Balor create the Bullet Club?

When Balor was in NJPW as Prince Devitt, he indeed was the face of the Bullet Club and was their first leader, spokesman and architect of the group that still exists to this day. One could say creatively he may have been the prime driving force along with Gedo, the head of NJPW creative. Regardless of who all played a part in the creation of this character, it was created and debuted in New Japan and is therefore their IP.  

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Before I joined the wrestling industry many years ago, I worked in the comic book industry and and always appreciated the similarities to wrestling in how comics also operate as a roster of characters controlled by creative who receive pushes, gimmick changes, and sell merch with ongoing storylines told episodically in a “universe”. And when it comes to the legal ownership of characters, wrestling and comics have even more in common.

Marvel continues to churn out movies, TV, licensing, merchandise, comics, and cartoons, from the Spider-Man character. And what many people are aware of is Spider-Man was created by Stan Lee along with artist Steve Ditko and others playeing their part as well. But even with Lee publicly acknowledged as the creator of this character, Spider-Man is still the IP of Marvel, because he was created for Marvel while working at Marvel. 

So, no matter who creates, designs, and writes a character under Marvel, DC, or anybody, the company always owns that character. And if there was any dispute, a 2013 court case re-affirmed that the creator is irrelevant as far as ownership and rights.

Lee is constantly credited with the creation of these characters and is lauded and heralded by Marvel as such, given a lifetime ambassador job with a hefty salary. But, it does not change the fact that he never owned these characters, Marvel did.

What about the Superman case?

The key difference between Superman and other characters is that Jerry Siegel & Joe Schuster actually created Superman before he debuted in DC. Back in the 1930s, these two sold the character to DC Comics. In a weird sense, Superman is to comics what CM Punk or AJ Styles is to WWE where the name was created before he joined the company.

With ongoing public situations like the Hardys’ Broken characters, it can be frustrating to wrestling fans to see talent switch to a new company and no longer be identified by their favorite names. For better or for worse, this is the reality that wrestling adopted in the 80s by McMahon and is the standard for how wrestling operates to this day.  

Impact’s Ed Nordholm: WWE has ‘no interest’ in Broken Hardys gimmick

The legal situation surrounding the ownership of the “Broken Hardys” characters inevitably came up when Ed Nordholm (president of Impact Wrestling and Executive VP of Anthem Sports & Entertainment) sat down with John Pollock for an interview that aired on this week’s episode of Live Audio Wrestling.

Just as inevitably, Nordholm spoke definitively about the characters belonging to Impact Wrestling.

“I think it’s unquestionable that the ownership of the characters in the storyline resides in Impact Wrestling,” Nordholm said. “I don’t think even the Hardys would dispute that. They’ve all signed contracts. Their contracts are standard contracts. Not only in the wrestling industry, but in the entertainment industry, generally, the producer of the show owns the content and it doesn’t really matter who in the creative team came up with the idea of what the character should be.”

“The person that owns the storyline and the character is the person who invested to take that idea and put it on TV. That’s what we did. Impact put those characters on TV, and the contracts with those people are indisputably contracts that provide their IP to Impact.”

It didn’t take long for Reby Hardy to respond to Nordholm’s comments after the interview had gained attention. She wrote on Twitter that Nordholm was: “Taking advantage that fans do not know details of contracts, which were NOT ‘standard entertainment contracts’ & not drafted under Anthem.”

Nordholm also had interesting comments regarding whether WWE is even interested in the “Broken Hardys” gimmick. He claimed that he’d be open to speaking with The Hardys and that they’ve been offered the opportunity to find an arrangement that would work for both parties, but said that he doesn’t believe WWE is interested in their “Broken” characters.

“As far as I know, the WWE doesn’t want the gimmick, and indeed, from every conversation I’ve had with them, I’ve been told they have no interest in it,” Nordholm said.

Reby Hardy responded to that as well: “Only thing apparent here is the level of desperation from a person of his position doing a phone podcast re: intentions of a billion $+ co.”

Below is the video clip where Nordholm discusses the legal situation:

IMPERIO Lucha Libre results: Alberto El Patron, Paige, Broken Hardys, Penta El Zero M, Zack Sabre Jr.

Submitted by Juan Portocarrero from Lima, Peru | Image: Rodolfo Contreras Quintanilla

The show ended up being six hours long.

Mansilla def. Kaiser, Fear, and Atemista in a four-way qualifier for the IMPERIO World title match

Ariki Toa def. Rafael from Salamanca, Caoz, and Kassius Ortiz in a four-way qualifier for the IMPERIO World title match

– Hugo Savinovich appeared to say hello to the crowd in the “Dibos Colisseum” and send his prayers for the climate victims in Perú in last two weeks.

– South American Tournament First Round: Zack Sabre Jr. submitted Ricky Marvin

– South American Tournament First Round: Vicente Viloni def. Max Miller

– Apolo def. TVK in a squash

– The Broken Hardys interrupted Al Cold and Axl, coming out to standing ovation. They cut their classic promos with the “They’ll fade away and classified themselves as obsolete (¡OBSOLETE!)” and the ¡DELETE! chants from everybody. 

– South American Tournament First Round: Reptil def. Jhoan Stambuk

Broken Matt Hardy & Brother Nero (Broken Hardys) def. Penta El Zero M & Fénix and Al-Cold & Axl.

Hardys won after the Twist of Fate and then the Swanton Bomb over Al-Cold. After the match, Hardys cut a promo saying they “have traveled all over the world and The Lucha Brothers are the best”. Then, they invited Al Cold and Axl to the ring but Cold received a double superkick from Lucha Brothers and Axl received two Twist of Fates from Jeff and Matt (After ¡DELETE! chants).

– South American Tournament First Round: Matt Sydal def. Taylor Wolf

– South American Tournament First Round: Chavo Guerrero def. Ian Muhlig

After the match, Chavo grabbed a crowd sign that says “Viva la Raza!” and showed to the colisseum leading to “Eddie!” chants.

– South American Tournament First Round: Kacarmo def. Hades

Match was just two minutes. Hades was injured trying to do a plancha from the corner to the ringside which was later diagnosed as a fractured ankle.

– South American Tournament Second Round: Zack Sabre Jr. def. Vicente Viloni in a distraction finish

– South American Tournament Second Round: Reptil def. Chavo Guerrero

Caoz & Kaiser def. Hellspawn and Gladiator Angel 

– South American Tournament Second Round: Matt Sydal def. Karcama

– Apocalipsis & Coyote/Rey del Aire def. Albuquerque, Fear & Ajayu

– Reptil won the IMPERIO South American title in a three way over Zack Sabre Jr. and Matt Sydal after hitting both with the Coupe de Grace

– Kassius Ortiz def. Piero Da Vinci

– WWE’s Paige was shown in the crowd at ringside. She said hello and waved to the crowd.

– Zumbi def. Alejandro “XL” Sáez and Bad Boy Jr. in a three-way

– Carlito won the IMPERIO World title in a no-DQ fatal four-way over Alberto El Patron, Mansilla, and Ariki Toa

Photos from Rodolfo Contreras Quintanilla – LIBERO, you can download them from this link: https://we.tl/MC2z0RJDZR

Results by me, Juan Portocarrero Ramírez

TNA Impact TV taping spoilers: A title changes hands

Taped on January 5th after the almost live Impact for this coming Thursday’s show —

– Aron Rex & Rockstar Spud debuted their new act and did an angle to set up a match with Robbie E.

– Braxton Sutter defeated Mike Bennett

– There was an angle to set up a Monster’s Ball title match with Rosemary defending against Jade.

– Matt & Jeff Hardy defeated Eddie Edwards & Davey Richards to retain their tag team titles

More for upcoming Impacts taped on January 6th before the One Night Only PPV —

– Aron Rex & Spud defeated Robbie E & Swoggle (formerly Hornswoggle)

– Abyss & Crazzy Steve defeated Bram & Eddie Kingston via DQ when James Storm laid out Abyss.

And taped on January 7th for both the January 12th and 19th television shows —

A briefcase battle royal type match. This may be the Feast or Famine gimmick but that isn’t 100 percent, but Eli Drake, Trevor Lee, the DCC, and Jeff Hardy all got briefcases.

Bobby Lashley defeated EC3 in a last man standing match. So Lashley will get another title shot against Edwards.

– Brooke (the return of Brooke Tessmacher) defeated Deonna Purrazzo. Sienna laid out Brooke after the match.

– Drew Galloway defeated Moose to win the Grand Championship

DJZ defended the X Division title over Andrew Everett, Trevor Lee, Caleb Konley, and Marshe Rockett. Lee injured DJZ after the match to set them up as a singles match.

– There was a segment taped with Lashley and Edwards with the result that their title match, which will probably be taped today, is a 30-minute Iron Man match.